LARRY KRONE
LARRY@larrykrone.com
Born in 1970 in Chicago; raised in St. Louis; lives and works in New York City.
Attended New York University (BS 1993) and The Art Institute of Florence.
SOLO AND TWO PERSON EXHIBITIONS
2002
The Grand Tour (solo), William Shearburn Fine Arts, St. Louis
2000
Crazy (solo), Mark Pasek Gallery, New York
Deep (two-person w/ Bruno Pelassy), Mark Pasek Gallery, New York
1999
Patches (solo), Croxhapox, Gent, Belgium
1998
To All the Girls I’ve Loved Before (solo),Forum for Contemporary Art, St.Louis (cat.)
Larry Krone & Karen Kimmel, Clifford Smith Gallery, Boston
Circular Circle (two-person w/ Dianna Frid), P.S. 122 Gallery, New York
1996
Wanted: (solo), Lombard-Freid Fine Arts, New York
I’ll Never Break Your Heart (solo), AUTOMATIC Art Gallery, Chicago
Corinne Carlson and Larry Krone, The Or Gallery, Vancouver
1995
Lonely (solo), Rupert Goldsworthy Gallery, Berlin
Margaritaville (solo), North Gallery, Ringling School of Art & Design, Sarasota, FL
PERFORMANCES AND INSTALLATIONS
2002
A Night Of Entertainment w/ Guy Richards Smit, apexart, New York
It’s All Right to Cry, The Living Room, Better Days Project, Hamburg, Germany
I Won’t Take Less Than Your Love, Mercer Union Performance Festival, Toronto
Soundcheck, Whitney Museum of American Art, New York
More Love Hours (no charge). Whitney Museum of American Art Philip Morris, NYC
The Grand Tour, Shearburn Fine Arts/Blueberry Hill’s Duck Room, St. Louis
2001
I Can’t Do Anything, (performance), Brewster, NY
A Night of Shooting Stars w/ Rodney Graham, Vancouver Performance Festival, BC
2000
An Evening With Larry Krone and Family, Mark Pasek Gallery, New York
15 Minutes 2000 (The Art of Change) with Danny Tisdale, Franklin Furnace. NY
Only Make Believe (performance), Parrish Art Museum, Southampton, NY
1999
Commitment (performance), P.S. 122, New York
And I Will Always Love You (over and over) (installatn), P.S. 122 gallery, New York
Patches (performance), Croxhapox, Gent, Belgium
1998
Love Can Build A Bridge (performance), Forum for Contemporary Art, St. Louis(cat.)
Hecho en Mexico (performance), Fabrica de Ceramica de Tlaquepaque, Mexico
Coat of Many Colors (performance), Clifford Smith Gallery, Boston
Timber, I’m Falling in Love (performance), Angel Orensanz Foundation, New York
1997
Bathroom Jamboree (performance), Gramercy International Art Fair, New York
Someday (performance), New Museum of Contemporary Art, New York
Don’t Fall In Love With Me (performance), Cafe Noir, New York
Baby, I Lied (installation), Forum for Contemporary Art, St. Louis
1996
Wanted: (performance), Lombard-Freid Fine Arts, New York
1994
...And I Will Always Love You (installation), TZ’ART & Co. Gallery, New York
SELECTED GROUP EXHIBITIONS
2002
Salon Style, Clifford Smith Gallery, Boston
Five by Five, Whitney Museum of American Art Philip Morris Branch, New York
Hash Brown Potatoes, Smack Mellon Studios, Brooklyn
Power Ballads, Rupert Goldsworthy Gallery
2001
The Brewster Project, Brewster, NY
All American, Bellwether, New York
Retorn al Pais de les Meravelles/L’art cont.la infancia, Fundacio “La Caixa”, Barcelona (catalog)
Paper, Mark Pasek Gallery
2000
Off the Record (Music in Art), Bucknell University Art Gallery, Lewisburg, PA
“Representing”: A Show of Identities, Parrish Art Museum, Southampton, NY
I Saw Stars, Momenta Art, New York
Almost Warm and Fuzzy, Tacoma Art Museum, Washington; P.S. 1, N Y (2001)
Sidelong Glance, im n il, New York
Superduper New York, Pierogi 2000, New York
Deterritorialization of Process, Artists Space, New York
1999
Souvenirs/Documents, PS122 Gallery, New York
Art For Park, Brooklyn Museum of Art, NY
Nobodies Home, Momenta Art, Brooklyn, NY
1998
Overcoat curated by Jesse Bercowetz, various public sites, New York
A la fabrica (To the Factory), Fabrica de Ceramica de Tlaquepaque, Mexico
Summer Show, Debs & Co., New York
Materialism, The Art Store, New York
Still, De Chiara/Stewart, New York
Second New York State Biennial, New York State Museum, Albany (catalog)
Shake, PS 122 Gallery, New York
May 17, 1998, Cold Spring, New York
Whatareyanutz? Knitting Factory, New York
Posted @ Beret, Beret International Gallery, Chicago (on-line catalog, il.)
Fold it Into a Box, Space 2D, New York
1997
Know New York , Elizabeth Leach Gallery, Portland, Oregon
First Look , Downtown Arts Festival, New York
Current Undercurrent , Brooklyn Museum, New York
Gramercy International Photography Fair, SoHo Grand Hotel, New York
Existing Things, Paco das Artes, Sao Paolo, Brazil (catalog)
The Power of Words and Signs, Index Gallery, Osaka, Japan/ 8th Floor Gallery, NY
Your Home is an Ideal Place For Crying, Bedroom Gallery Bathroom Gallery, Paris
Benefit Auction, New Museum of Contemporary Art, New York
1996
Suture, Rotunda Gallery, Brooklyn
A Labor of Love, New Museum of Contemporary Art, New York
Time Wise, The Swiss Institute, New York (performance: MAN AT WORK)
Romper Room, Threadwaxing Space, New York / Diverseworks, Houston (1997)
Reader, Curt Marcus Gallery, New York
B.F.K.L.T. , Silverstein Gallery, New York
3rd annual Gramercy Art Fair, Rupert Goldsworthy Suite, New York
Austerity Measures, 214 Lafayette, New York
Monchengladbachconcert , Annika Sundvik Gallery, New York
Fancy, Pilot Arts, New York
So You Wanna be a Rock & Roll Star, Museum of Contemporary Art, Chicago
A few bright seconds, VOID, New York
Pet Paintings, Bernard Toale Gallery, Boston
The Art (S)exchange, Kunst Editions New York Space, New York
Facades, Relics, and Meditations, Beyond the Horizon Gallery, Nashville
1995
Imaginary Beings, EXIT ART/ The First World, New York
On Beyond The Book, Forum for Contemporary Art, St. Louis
ObcKession, TZ’ART & Co. Gallery, New York
Come (and get it), Radix Gallery, Phoenix
The Drawing Show, Bernard Toale Gallery, Boston
1994
Selections Fall ‘94: INSTALLATIONS, The Drawing Center, New York
Small Works, Sculpture Center, New York
Petty Schemes and Grand Designs, 319 Grand Street,New York
BLAST Art Benefit, TZ’ART & Co. Gallery, New York
1993
10"x10"x10", TZ'ART & Co. Gallery, New York
Beyond Body: Animate & Inanimate, 494 Gallery, New York
LECTURES/WORKSHOPS
2002
Artists and Youth (Youth Insights program), Whitney Museum of Am. Art
Visiting Artist Lecture, School of Education, NYU, New York
2001
Gallery Walk, P.S. 1, New York
Visiting Artist Lecture, I.S. 49/Rotunda Gallery, Brooklyn
2000
Artists’ Talk, Artists Space, New York
Visiting Artist Lecture, Parsons School of Art & Design, New York
1999
Visiting Artist Lecture, Tisch School of the Arts, NYU, New York
1998
Visiting Artist Lecture, Webster University, St. Louis
New Art in the Neighborhood, Forum for Contemporary Art, St. Louis
Returning Artist Series, University City School District
(several educational workshops and lectures at all grade levels
throughout the district), St. Louis
Gallery Walk, De Chiara/Stewart, New York
1996
Doll Workshop, New Museum of Contemporary Art, New York
Presentation to Docents and Security Staff, New Museum of Contemporary Art, NY
1995
Gallery Talk, Forum for Contemporary Art, St. Louis
Visiting Artist Lecture, Webster University, St. Louis
1994
Artists’ Talk, The Drawing Center, New York
BIBLIOGRAPHY
2003
Michael Joseph Gross, “St. Dolly and Her Flock,” The New York Times, Jan 26
2001
“Back to the Basics,” BTTB 93.0 fm, Hamburg, Germany November 26, 2002
Byron Kerman, “Country Gold Lame,” Riverfront Times , May 22-28, p. 33, il.
Hillary Wicai, “N Y Artist Returns Home to St. Louis…”KWMU St. Louis, aired May 24
Tony Renner, radio interview, KDHX St. Louis viewer supported radio, aired May 24
Jeff Daniel, “A Quibble About Scribble,” St. Louis Post Dispatch, Feb 10, pp. F1, F10
Jeff Daniel, “A Response to Scribble,” St. Louis Post Dispatch, Feb. 17, p. F4
2001
“Retorn al Pais de les Meravelles/L’art contemporanii la infancia,” Fundacio “La Caixa”,
Barcelona, (exhibition catalog), p. 70, (il.)
Elisabeth Kley, “Larry Krone,” Performing Arts Journal, Vol.. 23 (PAJ 67-69), (il.)
Jane Harris, “Larry Krone at Mark Pasek Gallery,” New Art Examiner, April, p. 55, (il.)
2000
Holland Cotter, “Larry Krone, ‘Crazy’,” The New York Times, Dec. 1, p.E35
Robert Mahoney, “Larry Krone, ‘Crazy’,” Time Out NY, Nov. 30-Dec. 7, p.92 (il.)
James Hyde, “I Saw Stars,” The Burlington, September
Calvin Reid, “The East Village Revisited,” Artnet, Aug. 22
Paul Laster, “Brooklyn Spice,” Artnet, June 29
Holland Cotter, “I Saw Stars,” The New York Times, May 19, p. E34
Phyllis Braff, “Representing,” The New York Times, March 19, p. 22
Robert Mahoney, “Deterritorialization of Process,” Time Out NY, March 9-16
Holland Cotter, “Deterritorialization of Process,” The New York Times, Mar. 17, p. E37
Kim Levin, “Deterritorialization of Process”, The Village Voice, “ShortList”, Feb. 29, p. 70
Michael Joo, “Deterritorialization of Process,” Artists Space Newspaper, Feb./Mar., p. 3 (il.)
“Best Bet,” The Southampton Press, March 5
Katie Gass, Ingrid Schaffner, “Representing”… catalog essay, March (il.)
1999
Andrew Weinstein, “Nobodies Home,” zingmagazine, summer
Commitment Souvenir Program, (self-produced catalog for PS 122 performance (il.)
PS 122 Gallery, Souvenirs/Documents catalog (il. P.41)
Cindy Shafer, “His Works of Art Come from Unusual Items.” Ludington(MI) Daily News, Sept. 2, p.5(il.)
1998
Jeff Daniel, “Mane Event,” St. Louis Post Dispatch, Dec. 11, pp.E1, E8 (il.)
Ivy Schroeder, “The Cowboy Way,” Riverfront Times, Dec. 16-22, p.36 (il.)
Ivy Schroeder, “1998: The Year in Art,” Riverfront Times, Dec. 30-Jan. 5 (1999), p. 26
Chris King, “Hair Stylist,” Riverfront Times, Nov. 11-17, pp.68, 69 (il.)
Mel Watkin,“A Few Words To Our Audience,” (cat. essay, il.), Forum for ContempArt, St Louis
Nancy Kranzberg, radio interview, KDHX FM St. Louis, Nov. 25
Maryanne Dersch, Cityscape,“UCHS Alumni Wants Students to See Art Everywhere,” Aug,p.7
(il.); “UCHS Alumnus Shares Talents With Young U. City Artists,” Nov, p.7 (il.)
Pablo Helguera, “Fabricating is Believing,” A la fabrica catalog essay
Victor Ortiz Partida, “Ceramica para un arte nuevo,” Siglo 21, Sept. 10, p.2 (il.) (Guadalajara)
Gerardo Beorlegui, “Seis artistas van A la fabrica,” Publico, Sept. 10, Arte &Gente p.2 (Gdljra)
Jennie Weimer, “Finder: Still,” ArtwURL
Christopher Millis, “Thayer Fare,” Boston Phoenix, May 29-June 4, p.11
Linda Weintraub, “2nd NY State Biennial Exhibition” (cat. essay, il.), New York State Museum
1997
Whitney Scott, “Destination: Brooklyn, New York Post, Sept. 8
Mob Rule,“What Alternative? Alternative Spaces vs.Commercial Galleries,” NY Arts, 12/97-1/98
“Gramercy Art Fair” photo collage, Coagula, summer, p. 60 (il.) (New York)
Stuart Servetar, “Fancy: Curated by Karen Kimmel,” zingmagazine, summer,p.247(il.)
Randy Gragg, “Body and Droll,” The Oregonian, July 25 (Portland)
Jean Dykstra, “First Exit to Brooklyn,” Art & Auction
Sylvia Hochfield, “Dennis Cate’s Eiffel Tower Collection,” ARTnews, July
Elisabeth Kley, “Larry Krone at Lombard-Freid,” Artnet (il), February
1996
Susan Snodgrass, “Chicago in Brief,” C (il), July-September. p. 49 (Toronto)
“Monchengladbachconcert,” Night, No. 30, p. 3 (New York)
“But I Know It When I See It,” Penthouse, November, p.30
Matt Pincus, “Trashy Art,” New York, July 15, p.11
Abby Ehmann, “Hair Razer Larry Krone,” Paper Magazine on-line, November
Calvin Reid, “Reid Me,” ArtwURL (il), December
Bill Arning, “Sleeping With the Avant Garde,” Time Out New York
Stuart Klawans, “Time Wise,” The New York Daily News, April 27
Michael Bulka, “Larry Krone at AUTOMATIC,” New Art Examiner (il), May (Chicago)
Fred Camper, “Gallery Tripping: The Power of The Lyric,” The Chicago Reader (il), 3/15,p.11
Victoria Lautman, “Larry Krone’s CTA Project,” Artistic Licence (WBEZ FM Chicago), Mar. 21
Ira Dreyfuss,“Larry Krone at The New Museum,” Associated Press Radio, aired Mar. 19
Christopher Chester, “Artists Use Odd Materials in ‘A Labor of Love’,” Associated Press
Debra Parr, “City Focus: St. Louis,” ARTnews, March, pp. 43, 44
Roberta Smith, “Fine Art and Outsiders: Attacking the Barriers,” The N Y Times, 2/9, C18
Howard Halle, “Going Into Labor,” Time Out New York, Jan. 31-Feb. 7, p.23
Elizabeth Hess, “Needles and Pins,” The Village Voice (New York), Feb. 6, p.69
Carol Strickland,“‘A Labor of Love’ Focuses on the Artist’s Heart...,”Christian Science Monitor,Feb12
Leah Garchik, “Made by Hand, A Labor of Love,” San Francisco Chronicle, Feb. 22
April Kingsley, “A Labor of Love at The New Museum,” REVIEW, April 1
Marcia Tucker, “A Labor of Love,” (catalog), New Museum of Contemporary Art (il)
1995
Mel Watkin, “On Beyond the Book” (catalog), Forum for Contemporary Art (il)
Robert Duffy, “Shelves Full of Art: Work That Knows No Bounds,” St. Louis Post Dispatch, Oct19, p.4D
Eddie Silva, “Book Smart” The Riverfront Times (St. Louis), Nov.29-Dec.5, p.40
Kim Levin, “ObcKession,” The Village Voice (New York), July 4, Choices P.9
Ulmann Hakert, “Larry Krone,” Zitty (Berlin), Apr. 8, p.158 (il)
Harald Fricke, “Kunst in Berlin jetzt,” Die Tageszeitung (Berlin), Apr. 8, 9
Peter Herbstreuth, “Larry Krone,” Der Tages Spiegel (Berlin) Apr.
Addison Parks, “Gallery Hopping,” Stuff Magazine (Boston), Feb., p.49
H.C. Freyberger, “The Drawing Center,” Rokugatsu no Kaze (Tokyo), Jan., pp.20-23 (il)
“One Man’s Folli-cle,” AAA Going Places, Nov./Dec., p.14 (il)
1994
Holland Cotter, "Art In Review," The New York Times, Sept. 23, p. C35
Kim Levin, “Voice Choices,” The Village Voice (New York), Oct. 4, p. 73
The Drawing Center, exhibition brochure, Selections Fall ‘94 Installations
1993
BLAST (reproductions of two works)
