| LARRY KRONE LARRY@larrykrone.com Born in 1970 in Chicago; raised in St. Louis; lives and works in New York City. Attended New York University (BS 1993) and The Art Institute of Florence. SOLO AND TWO PERSON EXHIBITIONS 2002 The Grand Tour (solo), William Shearburn Fine Arts, St. Louis 2000 Crazy (solo), Mark Pasek Gallery, New York Deep (two-person w/ Bruno Pelassy), Mark Pasek Gallery, New York 1999 Patches (solo), Croxhapox, Gent, Belgium 1998 To All the Girls I’ve Loved Before (solo),Forum for Contemporary Art, St.Louis (cat.) Larry Krone & Karen Kimmel, Clifford Smith Gallery, Boston Circular Circle (two-person w/ Dianna Frid), P.S. 122 Gallery, New York 1996 Wanted: (solo), Lombard-Freid Fine Arts, New York I’ll Never Break Your Heart (solo), AUTOMATIC Art Gallery, Chicago Corinne Carlson and Larry Krone, The Or Gallery, Vancouver 1995 Lonely (solo), Rupert Goldsworthy Gallery, Berlin Margaritaville (solo), North Gallery, Ringling School of Art & Design, Sarasota, FL PERFORMANCES AND INSTALLATIONS 2002 A Night Of Entertainment w/ Guy Richards Smit, apexart, New York It’s All Right to Cry, The Living Room, Better Days Project, Hamburg, Germany I Won’t Take Less Than Your Love, Mercer Union Performance Festival, Toronto Soundcheck, Whitney Museum of American Art, New York More Love Hours (no charge). Whitney Museum of American Art Philip Morris, NYC The Grand Tour, Shearburn Fine Arts/Blueberry Hill’s Duck Room, St. Louis 2001 I Can’t Do Anything, (performance), Brewster, NY A Night of Shooting Stars w/ Rodney Graham, Vancouver Performance Festival, BC 2000 An Evening With Larry Krone and Family, Mark Pasek Gallery, New York 15 Minutes 2000 (The Art of Change) with Danny Tisdale, Franklin Furnace. NY Only Make Believe (performance), Parrish Art Museum, Southampton, NY 1999 Commitment (performance), P.S. 122, New York And I Will Always Love You (over and over) (installatn), P.S. 122 gallery, New York Patches (performance), Croxhapox, Gent, Belgium 1998 Love Can Build A Bridge (performance), Forum for Contemporary Art, St. Louis(cat.) Hecho en Mexico (performance), Fabrica de Ceramica de Tlaquepaque, Mexico Coat of Many Colors (performance), Clifford Smith Gallery, Boston Timber, I’m Falling in Love (performance), Angel Orensanz Foundation, New York 1997 Bathroom Jamboree (performance), Gramercy International Art Fair, New York Someday (performance), New Museum of Contemporary Art, New York Don’t Fall In Love With Me (performance), Cafe Noir, New York Baby, I Lied (installation), Forum for Contemporary Art, St. Louis 1996 Wanted: (performance), Lombard-Freid Fine Arts, New York 1994 ...And I Will Always Love You (installation), TZ’ART & Co. Gallery, New York SELECTED GROUP EXHIBITIONS 2002 Salon Style, Clifford Smith Gallery, Boston Five by Five, Whitney Museum of American Art Philip Morris Branch, New York Hash Brown Potatoes, Smack Mellon Studios, Brooklyn Power Ballads, Rupert Goldsworthy Gallery 2001 The Brewster Project, Brewster, NY All American, Bellwether, New York Retorn al Pais de les Meravelles/L’art cont.la infancia, Fundacio “La Caixa”, Barcelona (catalog) Paper, Mark Pasek Gallery 2000 Off the Record (Music in Art), Bucknell University Art Gallery, Lewisburg, PA “Representing”: A Show of Identities, Parrish Art Museum, Southampton, NY I Saw Stars, Momenta Art, New York Almost Warm and Fuzzy, Tacoma Art Museum, Washington; P.S. 1, N Y (2001) Sidelong Glance, im n il, New York Superduper New York, Pierogi 2000, New York Deterritorialization of Process, Artists Space, New York 1999 Souvenirs/Documents, PS122 Gallery, New York Art For Park, Brooklyn Museum of Art, NY Nobodies Home, Momenta Art, Brooklyn, NY 1998 Overcoat curated by Jesse Bercowetz, various public sites, New York A la fabrica (To the Factory), Fabrica de Ceramica de Tlaquepaque, Mexico Summer Show, Debs & Co., New York Materialism, The Art Store, New York Still, De Chiara/Stewart, New York Second New York State Biennial, New York State Museum, Albany (catalog) Shake, PS 122 Gallery, New York May 17, 1998, Cold Spring, New York Whatareyanutz? Knitting Factory, New York Posted @ Beret, Beret International Gallery, Chicago (on-line catalog, il.) Fold it Into a Box, Space 2D, New York 1997 Know New York , Elizabeth Leach Gallery, Portland, Oregon First Look , Downtown Arts Festival, New York Current Undercurrent , Brooklyn Museum, New York Gramercy International Photography Fair, SoHo Grand Hotel, New York Existing Things, Paco das Artes, Sao Paolo, Brazil (catalog) The Power of Words and Signs, Index Gallery, Osaka, Japan/ 8th Floor Gallery, NY Your Home is an Ideal Place For Crying, Bedroom Gallery Bathroom Gallery, Paris Benefit Auction, New Museum of Contemporary Art, New York 1996 Suture, Rotunda Gallery, Brooklyn A Labor of Love, New Museum of Contemporary Art, New York Time Wise, The Swiss Institute, New York (performance: MAN AT WORK) Romper Room, Threadwaxing Space, New York / Diverseworks, Houston (1997) Reader, Curt Marcus Gallery, New York B.F.K.L.T. , Silverstein Gallery, New York 3rd annual Gramercy Art Fair, Rupert Goldsworthy Suite, New York Austerity Measures, 214 Lafayette, New York Monchengladbachconcert , Annika Sundvik Gallery, New York Fancy, Pilot Arts, New York So You Wanna be a Rock & Roll Star, Museum of Contemporary Art, Chicago A few bright seconds, VOID, New York Pet Paintings, Bernard Toale Gallery, Boston The Art (S)exchange, Kunst Editions New York Space, New York Facades, Relics, and Meditations, Beyond the Horizon Gallery, Nashville 1995 Imaginary Beings, EXIT ART/ The First World, New York On Beyond The Book, Forum for Contemporary Art, St. Louis ObcKession, TZ’ART & Co. Gallery, New York Come (and get it), Radix Gallery, Phoenix The Drawing Show, Bernard Toale Gallery, Boston 1994 Selections Fall ‘94: INSTALLATIONS, The Drawing Center, New York Small Works, Sculpture Center, New York Petty Schemes and Grand Designs, 319 Grand Street,New York BLAST Art Benefit, TZ’ART & Co. Gallery, New York 1993 10"x10"x10", TZ'ART & Co. Gallery, New York Beyond Body: Animate & Inanimate, 494 Gallery, New York LECTURES/WORKSHOPS 2002 Artists and Youth (Youth Insights program), Whitney Museum of Am. Art Visiting Artist Lecture, School of Education, NYU, New York 2001 Gallery Walk, P.S. 1, New York Visiting Artist Lecture, I.S. 49/Rotunda Gallery, Brooklyn 2000 Artists’ Talk, Artists Space, New York Visiting Artist Lecture, Parsons School of Art & Design, New York 1999 Visiting Artist Lecture, Tisch School of the Arts, NYU, New York 1998 Visiting Artist Lecture, Webster University, St. Louis New Art in the Neighborhood, Forum for Contemporary Art, St. Louis Returning Artist Series, University City School District (several educational workshops and lectures at all grade levels throughout the district), St. Louis Gallery Walk, De Chiara/Stewart, New York 1996 Doll Workshop, New Museum of Contemporary Art, New York Presentation to Docents and Security Staff, New Museum of Contemporary Art, NY 1995 Gallery Talk, Forum for Contemporary Art, St. Louis Visiting Artist Lecture, Webster University, St. Louis 1994 Artists’ Talk, The Drawing Center, New York BIBLIOGRAPHY 2003 Michael Joseph Gross, “St. Dolly and Her Flock,” The New York Times, Jan 26 2001 “Back to the Basics,” BTTB 93.0 fm, Hamburg, Germany November 26, 2002 Byron Kerman, “Country Gold Lame,” Riverfront Times , May 22-28, p. 33, il. Hillary Wicai, “N Y Artist Returns Home to St. Louis…”KWMU St. Louis, aired May 24 Tony Renner, radio interview, KDHX St. Louis viewer supported radio, aired May 24 Jeff Daniel, “A Quibble About Scribble,” St. Louis Post Dispatch, Feb 10, pp. F1, F10 Jeff Daniel, “A Response to Scribble,” St. Louis Post Dispatch, Feb. 17, p. F4 2001 “Retorn al Pais de les Meravelles/L’art contemporanii la infancia,” Fundacio “La Caixa”, Barcelona, (exhibition catalog), p. 70, (il.) Elisabeth Kley, “Larry Krone,” Performing Arts Journal, Vol.. 23 (PAJ 67-69), (il.) Jane Harris, “Larry Krone at Mark Pasek Gallery,” New Art Examiner, April, p. 55, (il.) 2000 Holland Cotter, “Larry Krone, ‘Crazy’,” The New York Times, Dec. 1, p.E35 Robert Mahoney, “Larry Krone, ‘Crazy’,” Time Out NY, Nov. 30-Dec. 7, p.92 (il.) James Hyde, “I Saw Stars,” The Burlington, September Calvin Reid, “The East Village Revisited,” Artnet, Aug. 22 Paul Laster, “Brooklyn Spice,” Artnet, June 29 Holland Cotter, “I Saw Stars,” The New York Times, May 19, p. E34 Phyllis Braff, “Representing,” The New York Times, March 19, p. 22 Robert Mahoney, “Deterritorialization of Process,” Time Out NY, March 9-16 Holland Cotter, “Deterritorialization of Process,” The New York Times, Mar. 17, p. E37 Kim Levin, “Deterritorialization of Process”, The Village Voice, “ShortList”, Feb. 29, p. 70 Michael Joo, “Deterritorialization of Process,” Artists Space Newspaper, Feb./Mar., p. 3 (il.) “Best Bet,” The Southampton Press, March 5 Katie Gass, Ingrid Schaffner, “Representing”… catalog essay, March (il.) 1999 Andrew Weinstein, “Nobodies Home,” zingmagazine, summer Commitment Souvenir Program, (self-produced catalog for PS 122 performance (il.) PS 122 Gallery, Souvenirs/Documents catalog (il. P.41) Cindy Shafer, “His Works of Art Come from Unusual Items.” Ludington(MI) Daily News, Sept. 2, p.5(il.) 1998 Jeff Daniel, “Mane Event,” St. Louis Post Dispatch, Dec. 11, pp.E1, E8 (il.) Ivy Schroeder, “The Cowboy Way,” Riverfront Times, Dec. 16-22, p.36 (il.) Ivy Schroeder, “1998: The Year in Art,” Riverfront Times, Dec. 30-Jan. 5 (1999), p. 26 Chris King, “Hair Stylist,” Riverfront Times, Nov. 11-17, pp.68, 69 (il.) Mel Watkin,“A Few Words To Our Audience,” (cat. essay, il.), Forum for ContempArt, St Louis Nancy Kranzberg, radio interview, KDHX FM St. Louis, Nov. 25 Maryanne Dersch, Cityscape,“UCHS Alumni Wants Students to See Art Everywhere,” Aug,p.7 (il.); “UCHS Alumnus Shares Talents With Young U. City Artists,” Nov, p.7 (il.) Pablo Helguera, “Fabricating is Believing,” A la fabrica catalog essay Victor Ortiz Partida, “Ceramica para un arte nuevo,” Siglo 21, Sept. 10, p.2 (il.) (Guadalajara) Gerardo Beorlegui, “Seis artistas van A la fabrica,” Publico, Sept. 10, Arte &Gente p.2 (Gdljra) Jennie Weimer, “Finder: Still,” ArtwURL Christopher Millis, “Thayer Fare,” Boston Phoenix, May 29-June 4, p.11 Linda Weintraub, “2nd NY State Biennial Exhibition” (cat. essay, il.), New York State Museum 1997 Whitney Scott, “Destination: Brooklyn, New York Post, Sept. 8 Mob Rule,“What Alternative? Alternative Spaces vs.Commercial Galleries,” NY Arts, 12/97-1/98 “Gramercy Art Fair” photo collage, Coagula, summer, p. 60 (il.) (New York) Stuart Servetar, “Fancy: Curated by Karen Kimmel,” zingmagazine, summer,p.247(il.) Randy Gragg, “Body and Droll,” The Oregonian, July 25 (Portland) Jean Dykstra, “First Exit to Brooklyn,” Art & Auction Sylvia Hochfield, “Dennis Cate’s Eiffel Tower Collection,” ARTnews, July Elisabeth Kley, “Larry Krone at Lombard-Freid,” Artnet (il), February 1996 Susan Snodgrass, “Chicago in Brief,” C (il), July-September. p. 49 (Toronto) “Monchengladbachconcert,” Night, No. 30, p. 3 (New York) “But I Know It When I See It,” Penthouse, November, p.30 Matt Pincus, “Trashy Art,” New York, July 15, p.11 Abby Ehmann, “Hair Razer Larry Krone,” Paper Magazine on-line, November Calvin Reid, “Reid Me,” ArtwURL (il), December Bill Arning, “Sleeping With the Avant Garde,” Time Out New York Stuart Klawans, “Time Wise,” The New York Daily News, April 27 Michael Bulka, “Larry Krone at AUTOMATIC,” New Art Examiner (il), May (Chicago) Fred Camper, “Gallery Tripping: The Power of The Lyric,” The Chicago Reader (il), 3/15,p.11 Victoria Lautman, “Larry Krone’s CTA Project,” Artistic Licence (WBEZ FM Chicago), Mar. 21 Ira Dreyfuss,“Larry Krone at The New Museum,” Associated Press Radio, aired Mar. 19 Christopher Chester, “Artists Use Odd Materials in ‘A Labor of Love’,” Associated Press Debra Parr, “City Focus: St. Louis,” ARTnews, March, pp. 43, 44 Roberta Smith, “Fine Art and Outsiders: Attacking the Barriers,” The N Y Times, 2/9, C18 Howard Halle, “Going Into Labor,” Time Out New York, Jan. 31-Feb. 7, p.23 Elizabeth Hess, “Needles and Pins,” The Village Voice (New York), Feb. 6, p.69 Carol Strickland,“‘A Labor of Love’ Focuses on the Artist’s Heart...,”Christian Science Monitor,Feb12 Leah Garchik, “Made by Hand, A Labor of Love,” San Francisco Chronicle, Feb. 22 April Kingsley, “A Labor of Love at The New Museum,” REVIEW, April 1 Marcia Tucker, “A Labor of Love,” (catalog), New Museum of Contemporary Art (il) 1995 Mel Watkin, “On Beyond the Book” (catalog), Forum for Contemporary Art (il) Robert Duffy, “Shelves Full of Art: Work That Knows No Bounds,” St. Louis Post Dispatch, Oct19, p.4D Eddie Silva, “Book Smart” The Riverfront Times (St. Louis), Nov.29-Dec.5, p.40 Kim Levin, “ObcKession,” The Village Voice (New York), July 4, Choices P.9 Ulmann Hakert, “Larry Krone,” Zitty (Berlin), Apr. 8, p.158 (il) Harald Fricke, “Kunst in Berlin jetzt,” Die Tageszeitung (Berlin), Apr. 8, 9 Peter Herbstreuth, “Larry Krone,” Der Tages Spiegel (Berlin) Apr. Addison Parks, “Gallery Hopping,” Stuff Magazine (Boston), Feb., p.49 H.C. Freyberger, “The Drawing Center,” Rokugatsu no Kaze (Tokyo), Jan., pp.20-23 (il) “One Man’s Folli-cle,” AAA Going Places, Nov./Dec., p.14 (il) 1994 Holland Cotter, "Art In Review," The New York Times, Sept. 23, p. C35 Kim Levin, “Voice Choices,” The Village Voice (New York), Oct. 4, p. 73 The Drawing Center, exhibition brochure, Selections Fall ‘94 Installations 1993 BLAST (reproductions of two works)
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